A tale of two novels.
03 May 2017
I got and read Claire Fuller's novel Swimming Lessons because somewhere I read that it was a good book about a marriage (or, as the jacket copy promises, it explores "the mysterious truths of a passionate and troubled marriage"). I have been burned by this interest before, but I almost always look at novels and nonfiction that are primarily about marriage.
And it was okay. I read the whole thing, and I wondered vaguely about the lives of the characters, but when I finished it I didn't have a real strong feeling about it one way or the other. At points I was unsure what had happened, or what the author meant by some things, and, as I told Mr. CR, "You know, in all of modern literary fiction lately I feel like I am just guessing at what happened or what the author meant." And I do not like that feeling. Sure, I'm a lazy reader, but sometimes I just like to feel like I get the whole story the author is telling.
I was almost off of novels for a while, but then I remembered that I had Jami Attenberg's new novel All Grown Up home from the library. I almost took it back sight unseen, but then I remembered my reading experience that had been her earlier novel, The Middlesteins. I read it during one of my non-blogging periods, but I should have written about it later: I loved it.
So I read the first fifty pages or so of All Grown Up, and I was confused a bit by who was talking and who the names at the heads of the chapters were referring to (see earlier: I am a lazy reader), and I thought, well, it's no The Middlesteins. But I felt I owed it to Jami Attenberg to stick with it.
And somewhere in the middle it did two things: First, it kicked me in the heart. Then, it made me do that thing I do where I don't really sob, but I pause from the text and I put my hand to my face and I look around a bit and I try not to cry.
Look, it's not a big profound novel about love.* It doesn't particularly reveal any truths, passionate or otherwise. But, goddamnit, do I love Jami Attenberg's characters. They're nothing like me, particularly her main female characters, and yet I LOVE them. I love their voices, which sometimes say such simple and heartbreaking things. Because you know what? Life is kind of heartbreaking in its simplicity. It is hard to get along with people. It is hard to care for people with sicknesses. It is hard to not know what you want and have weaknesses and it is very, very hard to get old. It is hard, in short, to be all grown up.
Just read it, okay? How can you not like a main character like Andrea Bern, who has a number of (arguably) unhealthy relationships with men, and yet can say things like this after a tryst with a lover:
"That was two years ago. I haven't seen Alex since, though sometimes we text, and once he asked me to send him a naked picture, and I laughed and laughed, so for that I thank him, because who doesn't need a good laugh? (p. 51.)
Because yes, that should be the response of all women when asked to send a man a naked picture. Laughter.
And here she is, conversing with her therapist:
"ME: My mother is leaving me and moving to New Hampshire.
THERAPIST: And how does that make you feel?
ME: It makes me feel like she doesn't love me.
THERAPIST: Hasn't she proved to you she loves you already?
THERAPIST: By caring for you, nurturing you, supporting you, raising you to be the person you are today.
ME: All of that comprises a rational argument but can I just ask you a question?
ME: Whose side are you on, anyway?" (p. 65.)
So: a tale of two novels. The first made me say "meh" and the second made me re-start it all over again when I had just finished it, and I NEVER do that. Go read something, anything, by Jami Attenberg. Okay? Okay.
*And it's not perfect, but mostly its flaws are tiny and forgivable. Its cover, though, which looks like Chick Lit Covers 101? I hate the cover.