D. Watkins's The Beast Side: Living and Dying While Black in America.
09 August 2017
I wasn't going to write about this book. But I can't NOT write about this book. I first heard about it in 2015 when it was published and became a New York Times bestseller, but didn't think about reading it. Then I read Homicide: A Year on the Killing Streets, about Baltimore in the 1990s (and from the cops' perspective, for the most part). I thought that reading this book, from a resident's perspective of Baltimore in the 1990s and 2000s, would be a valuable read on the other side.
I don't know what to think about The Beast Side: Living and Dying While Black in America.
On the one hand, it certainly describes a place that is unknown to me:
"I wanted to go to an out-of-state college. But my plans were derailed when, months before my high school graduation in 2000, my brother Bip and my close friend DI were murdered. I became severely depressed and rejected the idea of school.
Most of my family and friends came around in an effort to get me back on track. My best friend, Hurk, hit my crib every day.
I met Hurk way back in the 1990s. His mom sucked dick for crack until she became too hideous to touch. Her gums were bare, her skin peeled like dried glue, chap lived on her lips, and she always smelled like trash-juice. Then she caught AIDS and died.
Hurk's my age. His family was a billion dollars below the poverty line. He had so many holes in his shoes that his feet were bruised. I started giving him clothes that I didn't want, and he stayed with us most nights. We became brothers." (p. 6.)
Watkins himself worked as a drug dealer and makes no bones about that fact. He also does a very good job of describing segregated Baltimore, as when he is invited to talk at something called the "Stoop Storytelling Series" (after an essay of his, "Too Poor for Pop Culture," drew a lot of attention):
"That's when I realized. This is one of those events. By "those events" I mean a segregated Baltimore show that blacks don't even know about. I walked through a universe of white faces, and I wondered, how is this even possible? How could we be in the middle of Baltimore, a predominantly black city where African Americans make up more than 60 percent of the population, at a sold-out event, with no black people--except for me and the friends I brought?" (p. 4.)
I don't know what I was looking for in this book, but overall it mainly made me very sad. Sad that it was so sad, in parts (see above). Sad that it seems lately we are farther away than ever from being able to discuss and address the issues Watkins raises in this book. Sad that there is so much anger in this book--and there is anger--which I understand. And I suppose this is going to sound like something a privileged person would say (which I am, because I have never known hunger, and which I laughably am not, as I have had to work all my life to try and put a living wage together), but I don't know where the anger is going to get us. At one point Watkins lovingly describes what he would like to have happen, in prison, to a cop who has killed a black man, and it is disturbing. And all it does is leave me with the questions that violent action and reaction always leave me with: will retribution bring the victim back? Will it solve anything?
I think you should read this book. I don't know how on earth we're all going to talk about it, but I think you should read it.