Crisis of Conscience: Whistleblowing in an Age of Fraud.
Secondhand: Travels in the New Global Garage Sale, by Adam Minter.

So let's talk about David Simon's "The Corner." (Part II.)

I tried to write this post all last week. But each time I sat down to do so, I just felt I wasn't bring sufficient energy to the task. It's February in Wisconsin, and because I have a phobia about driving in snow (it's time to just say it out loud, because that will make it go away, right?), a lot of my energy goes to worrying about winter weather. I'm not completely nuts--it's not just driving. Last week the little CRjr came home from school and reported "We had to go back in school after recess by a different door because someone slipped on the ice and hit their head on the slide and hurt himself really bad and they didn't want us walking by him," and that's just the sort of remark that keeps me nice and worried about playground safety for both CRjrs. Anxiety is exhausting.

Which is one of the reasons I really love TV. For me it functions as a low-cost coping mechanism and way to shut down my brain. I love good stories in written or TV form, and the TV series The Wire, based on David Simon's and Ed Burn's books The Corner and Homicide, is stupendously plotted and jammed with outstanding character acting performances.You've seen why I loved The Wire. So why did I love The Corner?

Well, for one thing, it's one of my favorite types of books. I love investigative and journalistic accounts of people whose lives are very different from mine. (Like Adrian Nicole LeBlanc's Random Family. Have you read it yet?) David Simon calls this (in his Authors' Note) "stand-around-and-watch journalism." I love this, because I like to stand around and watch too, but don't often get the chance. Reading these types of books allows me to watch from the privacy of my own home. I also like these types of books because they are often long-term labors of love; Simon points out that they stood around in a west Baltimore neighborhood for more than a full year before even starting to write the book. Their main characters eventually became a fifteen-year-old named DeAndre McCullough, his parents Fran Boyd and Gary McCullough, a variety of drug runners, dealers, and touts with names like "Fat Curt," and a neighborhood resident and parent named Ella Thompson who works in the neighborhood rec center.

This is how the book starts:

"Fat Curt is on the corner.

He leans hard into his aluminum hospital cane, bent to this ancient business of survival. His fattened, needle-scarred hands will never again see the deep bottom of a trouser pocket; his forearms are swollen leather; his bloated legs mass up from the concrete. But then obese limbs converge on a withered torso: At the heart of the man, Fat Curt is fat no more." (p. 3.)

If that doesn't say a whole world in one paragraph, I don't know what does.

Most of the action in the book follows the drug trade, of course. But there is also a lot of information about family histories and relationships; love affairs gone wrong; Ella Thompson's (heartbreaking) continuing battle to help the kids in her rec center find something, anything, beyond drugs to do; the history of the city and community of Baltimore; and above all, the never-ending struggle to make money with one scam or another,* to score drugs, to find mere moments of release.

I am doing a terrible job of writing this review. I'm going to stop for now. Please: just consider reading this book. Or Homicide, which is another mind-blower. Or watch The Wire. Or maybe do all three, and then watch the documentary Charm City just for good measure.

*Consider the life of the drug addict who needs cash, as described on p. 193: "Every day you start with nothing, and every day you come up with what you need to survive. And day after goddamn day, you swallow the pain and self-loathing, go out into the street and get what has to be got. Who else but a dope fiend can go to sleep at night with not a dime to his name, with not a friend in the world, and actually think up a way, come morning, to acquire the day's first ten?"

I am awful at making money, really terrible at it, although I actually used to like the hustle and surprise of waitressing and selling vegetables, seeing how the day would go. But still: I know it is HARD to hustle money from nothing. My biggest piece of luck is that I am way too lazy to even think about becoming involved with drugs.

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